Guna Šnē, cello
Tricia Dawn Williams, piano
Ernests Mediņš, percussions
This is a music journey through aprogramme of major piano Erik Satie, leading to a grand finale with the ballet Parade – premiered at the Théâtre du Châtelet in Paris in 1917 by Sergei Diaghilev's Ballets Russes, portraying the music of Erik Satie, scored to a one-act scenario by Jean Cocteau with costumes and sets designed by Pablo Picasso. This new production revisits the ballet with new media techniques which include stop-motion animation, video-art, projection dancing and contemporary dance. The project is touring around the Europe under the name of "PARADE&VELVET GENTLEMAN".
The plot of Parade, written by Jean Cocteau presents the failed attempt of a troupe of circus performers to attract an audience to their show featuring a Chinese magician, an American girl, a Horse and two Acrobats.
The costume design for the 1st Manager (left) is practically a reconstruction of the wonderful Picasso cubist costume. The 2nd Manager on the other hand, is inspired by the Picasso design and developed into a stop-motion animated character projected on the screen (top).
The costumes respect the original Picasso aesthetic with minor adaptations portraying a contemporary twist. The Horse for example adopts a headdress mask - reminiscent of Julie Taymor’s costume design.
The scene of the Acrobats features a technique known as projection dancing: When the dancers enter the stage they appear to cast a shadow on the screen ... but this is not really their shadow - it is actually a video projection that develops into a choreographic ‘dialogue’ between the two dancers and their own silhouette.
Artistic director: Ruben Zahra
Choreography & Dancers: Diane Portelli & Dorian Mallia – Moveo Dance Company
Projection Dance Sequence: MAKA Visuals; Stop-motion animation: Christ Scicluna
Masks & Puppets: Charles Bezzina;Costumes: Ritienne Zammit
Paper Movies: Trevor Zahra; Technical director: Christopher Gatt